This book presents an insightful and thoroughly entertaining exploration of the political context of the Bond books and films. Jeremy Black offers a historian’s interpretation from the perspective of the late 2010s, assessing James Bond in terms of the greatly changing world order of the Bond years—a lifetime that stretches from 1953, when the first novel appeared, to the present. In practice, Bond provides a fascinating source for changing views about the world. This is true of the Fleming books, the films, and the many novels involving Bond authored by others after Fleming died in 1964, books that are often mistakenly neglected. Black argues that both novels and films drew on current fears in order to reduce the implausibility of the villains and their villainy. The novels and films also presented potent images of national character, explored the rapidly changing relationship between a declining Britain and an ascendant United States, charted the course of the Cold War and of the subsequent post-1990 world, and offered an evolving but always potent demonology. Bond was, and still is, an important aspect of post–World War Two popular culture throughout the Western world. This was particularly so after Hollywood launched the filmic Bond, thus making him a character designed not only for the American film market, but also a world product and a figure of globalization. Class, place, gender, violence, sex, race—all are themes that Black scrutinizes through the ongoing shifts in characterization and plot. His well-informed and well-argued analysis provides a fascinating history of the enduring and evolving appeal of James Bond.
The World of James Bond will be published by Rowman & Littlefield.